I had heard about Lightworks Pro, which was supposed to be released for the Mac. For my latest short film Central Market, a co-production between Bahrains Ministry of Culture and Enjaaz (a post-production and production funding support programme of Dubai Film Market) and my company Elements Cine Productions, I wanted to try something different before going into feature film editing and my own debut feature. Traditionally, when cutting a film, I have favoured FCP7 even when FCPX was first out, I still used FCP7 for drama and long documentaries. On location during the filming of Central Market. I still have Symphony installed somewhere, just in case, but rarely ever use it. Lately, Ive been using a lot of different tools in my workflow including FCPX, DaVinci Resolve and Smoke 2013. Ive dabbled a bit in Avid MC/Symphony but it never really grew on me because of the clutter.
#LIGHTWORKS PRO RACK PRO#
I have been using Final Cut Pro for most of my edits for the past 11 years. He shares his experience with BroadcastPro ME Ive dabbled a bit in Avid MC/Symphony but it never really grew īahrain-based filmmaker Saleh Nass explores the capabilities of the Lightworks Pro while editing his latest short film, Central Market. He shares his experience with BroadcastPro ME I have been using Final Cut Pro for most of my edits for the past 11 years. Extended to 3 years on product registrationġ year.Bahrain-based filmmaker Saleh Nass explores the capabilities of the Lightworks Pro while editing his latest short film, Central Market.
#LIGHTWORKS PRO RACK SERIAL#
Master Caddy II x 5, Atomos USB to Serial Calibration cable, Xrite i1 Display proġ year. Shogun Studio 2, 2 x rack ears with screws, 4 x rubber feet with screws, 2 x IEC power cable, 2 x HDMI cable, 1 x USB-C Dock, 5 x Master caddy II Master Caddy II (included) 75mm x 105mm x 12mmįinal Cut Pro / Media Composer / Premiere Pro / After Effects / EDIUS / Vegas Pro / Lightworks / Autodesk Smoke Visit / drives for list of tested and approved drives Serial - Calibration on frontĢ.5” SSD/HDD compatibility depends on recording format, resolution and frame rate. LANC control - Slave / Calibration on front. Supported Protocols - Dolby Vision, Canon, Sony, Atomos Open Standardĩpin transport control on qualified controllers Yes - Loop-out and playback (Not available in all RAW modes) Supported FPS & resolution from gaming consoles and graphic cards PSF inputs converted to P but looped out as PSF Supported base resolution & FPS from cameras Quad Link 4 x 3G/6G SDI*, 4 x 3G-SDI, 2x 12G single link SDIġ x Single link SDI 12G/6G/3G/1.5G, Optional 2nd SDI output available in Playback modeĪudio In/Out (48kHz PCM Audio) (Per Channel)Ģch balanced XLR analogue in/out Dynamic range >90dB Sony SGamut / SGamut3 / SGamut3.cine Canon Cinema / DCI P3 / DCI P3+ Nikon BT2020 Panasonic V Gamut Arri Alexa Wide Gamut Rec709 / BT.2020 JVC RED WideGamut / RED DragonColor / DragonColor2 / RED Color2 / RED Color3 / RED Color4
Sony SLog / SLog2 / SLog3 Canon CLog / CLog2 / Clog3 ARRI Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320 / LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 / LogCEI1000 / LogCEI1280 / Log- CEI1600 Panasonic Vlog JVC JLog1 RED Log3G10 / RED LogFilm / FujiFilm F-log / Nikon N-Log PQ10k and HLG Log/RAW to HLG or PQ, Dolby Vision Loop out
On the fly real-time brightness analysis for LED control SuperAtom IPS panel (capacitive touch), calibration to Rec.709 with optional X-Rite unit
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